Fri, Dec 06 | 9:00 PM


Director- Molly Hewitt Comedy, Drama 88 minute runtime DIrector and Writer Molly Hewitt (Aka Glamhag) will be in attendance for a Q&A after the screening.
Registration is Closed

Time & Location

Dec 06, 2019, 9:00 PM
9:00 PM, NEW PEOPLE CINEMA 1746 Post Street, San Francisco, CA, USA

About The Event

DIrector and Writer Molly Hewitt (Aka Glamhag)  will be in attendance for a Q&A after the screening. 


Trinity is an independent, sex-positive millennial working as a Dominatrix in Chicago. After an incident huffing her drug of choice—a mysterious aerosol can from the ubiquitous Glamhag brand—she finds herself with a newfound gift for speaking to the dead. Confused and more than a little curious about this strange turn of events, Trinity seeks the counsel of a colorful cast of characters, from priests and drag queens to a witch and more, all of whom teach her their unique spiritual practices.

As she navigates life with this unexpected talent (and continues to huff that mysterious drug), Trinity is tossed between hallucination and reality more and more frequently, developing a growing confidence in her strange new ability and learning to harness it in surprising ways. But with any great power comes great responsibility, and soon Trinity has to decide what’s more important: her community and personal relationships or the allure of influence and fame.

Boasting an inclusive cast and crew comprised of diverse communities often neglected in mainstream cinema and approaching typically taboo subjects with verve and acceptance, Holy Trinity is a sometimes raunchy, always entertaining celebration of all that makes us different. In their feature film debut, writer, director and star Molly Hewitt presents a vibrant and vivid portrait of friendship, spirituality and community, with more than a little glam sprinkled in along the way.

Below review was written by Richard Roeper from the Chicago Sun Times

‘Holy Trinity’: Welcome to a bizarro Chicago where the colors are bold and the humor is bawdy

Anyone expecting “Holy Trinity” to be a reverent film about the Father, the Son and the Holy Ghost of Christian doctrine will realize within the first, oh, four seconds, that’s not what’s happening here.

This is not to say writer-director-star Molly Hewitt’s wonderfully weird, trippy, absurdist, Day-Glo-Color-influenced and very adult fairy tale isn’t filled with religious symbolism and imagery.

It’s just that it’s more along the lines of a priest who fills his coffee cup with holy water and rhapsodizes about his love for the music of Madonna — in particular songs such as “Oh Father,” “Papa Don’t Breach” and of course, “Like a Prayer.”


“Holy Trinity” takes place in an alternate-universe version of Chicago in which every store and every generically labeled commercial product is produced under the all-encompassing umbrella of the Glamhag Corp. (The social commentary in this film, while spot-on, isn’t the least bit interested in subtlety.)

Hewitt delivers a natural and funny performance as Trinity, a dominatrix who huffs from a can of “room clearing aerosol spray” and starts hearing the voices of the deceased relatives and loved ones of her friends and even strangers she encounters along her day.

She hears an adult male voice sternly saying “I’m the smartest man you know,” over and over, and eventually realizes it’s a voice from the past of her partner, Baby (played by the talented Theo Germaine, a central Illinois native and Chicago stage actor, who also stars in the new Netflix series “The Politician.”)

In between some explicit sexual adventures, Trinity embarks on a dream-like journey to come to terms with her past and try to figure out the meaning of this strange gift she’s been given. Religious imagery abounds, from the angel-wing design on Trinity’s phone to Trinity donning a red nun’s habit to some devilish references.

Trinity combines gritty, indie film-looking exteriors with creatively fashioned interior set pieces, with colors so bright it’s as if we’ve stepped inside an animated film. A bedroom is orange on top of orange on top of orange. A cake is the pinkest cake you’ve ever seen. Even an all-gray setting somehow seems to pop from the screen.

For all its zany and edgy trappings, “Holy Trinity” follows a somewhat conventional story arc, with the relationship between Trinity and Baby going through hills and valleys, and each character eventually growing and learning from this madcap adventure.

An adventure sprinkled with quite a bit of kink.

Directed by 

Molly Hewitt

Writing Credits(in alphabetical order)

Molly Hewitt


Laura Gonzalez...Laura the Witch Alex Grelle...Priest Molly Hewitt...Trinity Joey C. Heyworth...Imp's Trade Joyce Porter...Timmy's Mother Imp Queen...Herself Isabel Quintero...Maria Sarah Sherman...Miffy Walt Sloan...Principal 

Produced by 

Peter Gilbert...executive producerMolly Hewitt...producerEdwin Linker...executive producer (as Eddie Linker)Quinn Nicholson...associate producer / line producerEugene Sun Park...producerJoe Swanberg...executive producer

Cinematography by 

Greg Stephen Reigh

Production Design by 

Mood Killer

Makeup Department 

Catherine Woods...special makeup effects artist

Production Management 

Quinn Nicholson...unit production manager

Second Unit Director or Assistant Director 

Judy Febles...first assistant directorHarley Foos...second assistant director

Sound Department 

Baili Martin...sound mixerCoco Wallace...sound mixer (as Cody Wallace)

Camera and Electrical Department 

Ellie Hall...first assistant cameraCandice Majors...gafferAriana Marin...grip

Editorial Department 

Adam intermediate coloristAshley Thompson...editor

Other crew 

Jessi Gaston...script supervisorStacey Mitchell...production coordinator

 See also 

Release Dates | Official Sites | Company Credits | Filming & Production | Technical Specs


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Time & Location

Oct 25, 2017 at 9:00pm - 10:30pm PDT

New People, 1746 Post St, San Francisco, CA 94115, USA

About The Event

Ted Geoghegan 2017, USA, 91 mins

The War of 1812 has revived violent hostilities between the British and their erstwhile American colonial subjects. The powerful Mohawk nation of the New York region is divided as to whom they should stand by, and so they maintain a position of neutrality. They want no part in the killing – but the killing is coming to them. An impulsive attack on an American encampment has drawn the vengeful attentions of a ragged band of American military renegades, led by the vicious, racist Hezekiah Holt. Oak, Calvin, and their British lover Joshua flee into the woods so familiar to them, but the murderous musketeers on their trail will not be deterred. Not without the spilling of blood.